randian | 燃点

This Spring, Hambling will exhibit for the first time in China, at the Central Academy of Fine Arts Museum in Beijing. Ran Dian met the artist at her London home to discuss the show. >> Read more

The British artist Maggi Hambling’s first exhibition in China, “FOR BEAUTY IS NOTHING BUT THE BEGINNING OF TERROR: MAGGI HAMBLING PAINTINGS AND DRAWINGS, 1960-”, will open on March 8th, 2019 at Central Academy of Fine Arts Museum (CAFAM) in Beijing. Maggi Hambling, who is 73-year-old now, gained an international reputation in the 1980s and it […] >> Read more

The Galerie Nathalie Obadia is very pleased to present Cockeyed Eddie, the third solo exhibition in France of the work of Edgar Arceneaux. >> Read more

无论是作为一个展览还是一次研究，“惯例下的狂欢”从观念的提出，到问题的探讨范围，都不像是给艺术界以外的观众所准备，而更像是策展人、学人、艺术家与机构管理者之间的内部理论学习与交流——这本身就是“惯例”的最好体现。 >> Read more

[Press Release] Art Plural Gallery is pleased to announce Spurious Stories from the Land and Water, the solo exhibition of Singaporean artist Sherman Ong running from April, 24 to May 31, 2014 at Third Floor – Art Plural Gallery. The exhibition will feature two photography series Monsoon and Spurious Landscapes as well as a short […] >> Read more

The fundamental task of an artist is not to deal with social critique or self-irony, rather it is to deal with those existential dilemma that we all encounter. >> Read more

In this, the 6th iteration of their collaborative Project Without Space, Chen Shaoxiong and Liu Ding occupy Pekin Fine Arts with a series of hybrid paintings, "Aboriginal" works and discursive video.


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A review of Zhu Jia's compelling video "Zero" — the artist's latest work in response to contemporary socio-urban states.



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The Central Academy of Fine Arts Museum recently held an exhibition entitled “The First CAFAM Exhibition of the Future: Subculture – A Report on the State of Young Chinese Artists.” Though true to the subtitle of the exhibition: they lacked a certain sense of appeal as many have appeared in CAFAM graduation shows over the years (in fact, some of them have even popped up in various galleries). >> Read more

A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> Read more